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<channel>
	<title>张晓｜Xiao Zhang</title>
	<link>https://xiao--zhang.com</link>
	<description>张晓｜Xiao Zhang</description>
	<pubDate>Sun, 15 Dec 2024 20:32:43 +0000</pubDate>
	<generator>https://xiao--zhang.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Home</title>
				
		<link>https://xiao--zhang.com/Home</link>

		<pubDate>Sat, 03 Jun 2023 17:52:56 +0000</pubDate>

		<dc:creator>张晓｜Xiao Zhang</dc:creator>

		<guid isPermaLink="true">https://xiao--zhang.com/Home</guid>

		<description>Recents:

︎ Antimatter [media art]&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Oct.15th-25th,
Victoria, Canada, 

︎ Unlicensed Cinema,&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Curated by SINE SCREEN, ydp London, &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;June 30th-July 4th, 2026
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	<item>
		<title>Words Fly Back to the Black Earth</title>
				
		<link>https://xiao--zhang.com/Words-Fly-Back-to-the-Black-Earth</link>

		<pubDate>Sat, 04 May 2024 19:57:58 +0000</pubDate>

		<dc:creator>张晓｜Xiao Zhang</dc:creator>

		<guid isPermaLink="true">https://xiao--zhang.com/Words-Fly-Back-to-the-Black-Earth</guid>

		<description>
	
	
Words Fly Back to the Black Earth

	&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/39674706def2c7b58d0d28489c30449d353ce0a29414b58ca6ed891be64e4292/Still-1.jpg" data-mid="213153711" border="0"  src="https://freight.cargo.site/w/1000/i/39674706def2c7b58d0d28489c30449d353ce0a29414b58ca6ed891be64e4292/Still-1.jpg" /&#62;
	&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cac3023ed355403cf97f12fe4174ef4ea7b977478b0370739a57fa38c12b647a/still-5.jpg" data-mid="213153717" border="0"  src="https://freight.cargo.site/w/1000/i/cac3023ed355403cf97f12fe4174ef4ea7b977478b0370739a57fa38c12b647a/still-5.jpg" /&#62;




&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0d1a9513992bf96114420d2eb390548981014f7224f2c0212113ac87d1ed2d3c/still-3.jpg" data-mid="213153715" border="0"  src="https://freight.cargo.site/w/1000/i/0d1a9513992bf96114420d2eb390548981014f7224f2c0212113ac87d1ed2d3c/still-3.jpg" /&#62;
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c386a9f6e91039c0f6dbd2a7b19e7a52377db07b5915bb74fe0f72132903dc06/still-4.jpg" data-mid="213153716" border="0"  src="https://freight.cargo.site/w/1000/i/c386a9f6e91039c0f6dbd2a7b19e7a52377db07b5915bb74fe0f72132903dc06/still-4.jpg" /&#62;
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9ad101a49d3ba04544a142dafbc14860ebbd1254c5f6bc7b34cd9aae5039520b/still-7.jpg" data-mid="213153719" border="0"  src="https://freight.cargo.site/w/1000/i/9ad101a49d3ba04544a142dafbc14860ebbd1254c5f6bc7b34cd9aae5039520b/still-7.jpg" /&#62;
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dd49ecdc4e621f0f9f7911bef1fdfebf55290a683183aa572796fb0262160117/still-6.jpg" data-mid="213153718" border="0"  src="https://freight.cargo.site/w/1000/i/dd49ecdc4e621f0f9f7911bef1fdfebf55290a683183aa572796fb0262160117/still-6.jpg" /&#62;

2025｜16mm to digital ｜19:12mins. ｜color&#38;amp;bw/sound


A calling inhabits the blank pages, unfolding a secret writing of hers. The unseen written traces seep from the murmuring land, pushing through fragmented voices to become new forms, beings made material. Framed as a dialogue with my grandmother, this film explores an alternative form of personal writing by Chinese women in political shifts, absent and abundant. The 'blank' becomes an image, carrying a search for agency; of land transformed and of women unheard. By breaking down linguistic structures, the film opens a space for imagining, reading, and performing, allowing for emergence.&#38;nbsp;

从无生有，从静生声。一种栖息在空白纸页上的召唤，展开她未曾宣告的秘密字迹。这些书写的痕迹从低语的大地中渗出，穿透破碎的声音，最终化为具象的存在。以我和我奶奶的对话为框架，本片探索了中国女性在重大政治事件背景下的另类个人写作形式——一种既被省略又富有丰盈感的写作，一种与大地、身体相连的书写。‘留白’本身化作一种图像，承载着对主体性的追溯：被改变的土地和未被听见的女性个人叙事。本片试图通过打破传统的语言结构，为观众开辟一个开放的空间予以想象、阅读与表演。


Through an image–sound experiment imbued with the spirit of labor and the traces of handcraft, the film revisits, translates, and dialogues with women’s private–collective memories. Blankness is both history and space. When writing holds hegemonic power in the construction of history, the film, through revelation and invocation, powerfully brings back another mode of existence and expression. - BISFF Committee“以充满劳作精神与手工痕迹的图像声音实验，对女性私人-集体记忆进行回溯、翻译与对话。空白是历史，也是空间。当文字在历史书写中占据霸权之时，本片通过显现与感召，有力地使另一种存在与诉说得以回归。 - 北京国际短片联展组委会”
</description>
		
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	<item>
		<title>Tongue Film</title>
				
		<link>https://xiao--zhang.com/Tongue-Film</link>

		<pubDate>Sat, 03 Jun 2023 17:52:55 +0000</pubDate>

		<dc:creator>张晓｜Xiao Zhang</dc:creator>

		<guid isPermaLink="true">https://xiao--zhang.com/Tongue-Film</guid>

		<description>Tongue Film



	&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1ac59efb0b30ca05fea05fdb4c3d122384d071e845d2d0cafaa4edc4b86e85d4/tongue-film_2.jpg" data-mid="181403978" border="0"  src="https://freight.cargo.site/w/1000/i/1ac59efb0b30ca05fea05fdb4c3d122384d071e845d2d0cafaa4edc4b86e85d4/tongue-film_2.jpg" /&#62;
	&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/337e014ebdbc6e45f89b4dbcd1bf6b64792208a20b2327e59b224c93adda4e55/tongue-film_4.jpg" data-mid="181403979" border="0"  src="https://freight.cargo.site/w/1000/i/337e014ebdbc6e45f89b4dbcd1bf6b64792208a20b2327e59b224c93adda4e55/tongue-film_4.jpg" /&#62;




	

	

	
	2023, 16mm to digital, working in progress
︎watch excerpt


Tongue Film (working title)&#38;nbsp; is an autobiographical 16 mm project exploring often-ignored, invisible disease aspects with unknown causes. The film sheds light on a interplay between physically unpredictable emergence and psychological distress through my grandmother’s suffering from tongue cancer and my own sleeping experiences with urinary incontinence. It drives out a mediation of the confrontation with the uncontrolled body and leaked desires through celluloid hand-processing.
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	<item>
		<title>a throwing forth</title>
				
		<link>https://xiao--zhang.com/a-throwing-forth</link>

		<pubDate>Sat, 03 Jun 2023 17:52:54 +0000</pubDate>

		<dc:creator>张晓｜Xiao Zhang</dc:creator>

		<guid isPermaLink="true">https://xiao--zhang.com/a-throwing-forth</guid>

		<description>
	
	
A throwing forth

	&#60;img width="2100" height="1500" width_o="2100" height_o="1500" data-src="https://freight.cargo.site/t/original/i/4e35ee9a1bea69756016cd055ec1b24a64cb3aaa9140059f8cc8e23df92083dc/thumbnail_A-throwing-forth.jpg" data-mid="181119632" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4e35ee9a1bea69756016cd055ec1b24a64cb3aaa9140059f8cc8e23df92083dc/thumbnail_A-throwing-forth.jpg" /&#62;
	&#60;img width="2100" height="1500" width_o="2100" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f438456c613126bb29375f1a15ed88986ccfabbacb3a22c44c291a4c56781cfb/3.jpg" data-mid="184024975" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f438456c613126bb29375f1a15ed88986ccfabbacb3a22c44c291a4c56781cfb/3.jpg" /&#62;




2023 ｜16mm to digital ｜6:04min ｜color/sound

︎watch excerpt
A time remnant inhabits a personal space with a secret, private, unspoken word of one's being. Sliding planes of window and time, throwing drifts of the inner and the outer self, the film seeks in the interval of memory for a transitory reunion with my family.&#38;nbsp;
时间的残体栖居在私密不语的个人空间里，与窗户和光线交错，投射嵌于内外在的漂泊。在记忆的间隙中，寻求与家人的短暂重聚。“Positioning home as a site of reflection, this piece explores memory and familial communion whilst taking delight in 16mm’s materiality.” &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;-&#38;nbsp;BFI London Film Festival 2023
 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;  



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	<item>
		<title>Been there Done that</title>
				
		<link>https://xiao--zhang.com/Been-there-Done-that</link>

		<pubDate>Sat, 04 May 2024 18:13:13 +0000</pubDate>

		<dc:creator>张晓｜Xiao Zhang</dc:creator>

		<guid isPermaLink="true">https://xiao--zhang.com/Been-there-Done-that</guid>

		<description>Been there Done that


	
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9ee5907d63dfd3c6955bdd48faebd0b48c01648bee4cd555fe8424955d7d97f2/still7.png" data-mid="210271021" border="0"  src="https://freight.cargo.site/w/1000/i/9ee5907d63dfd3c6955bdd48faebd0b48c01648bee4cd555fe8424955d7d97f2/still7.png" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d59be2cf53e55bac42b8d96ff32d84d4de18985066a7351ac98a260b8b903c40/still5.png" data-mid="210270976" border="0"  src="https://freight.cargo.site/w/1000/i/d59be2cf53e55bac42b8d96ff32d84d4de18985066a7351ac98a260b8b903c40/still5.png" /&#62;

&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/2a003c551cb67bb1b8631eaa137716baafebc4b4d9962fa36e12114ad65829c1/Still3_BeenthereDonethat.png" data-mid="210270981" border="0"  src="https://freight.cargo.site/w/1000/i/2a003c551cb67bb1b8631eaa137716baafebc4b4d9962fa36e12114ad65829c1/Still3_BeenthereDonethat.png" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/da58f993b6ff5484f855484c43d21bd99b3d203cf15eb98a526a32dcb21b5825/Still4.png" data-mid="210270979" border="0"  src="https://freight.cargo.site/w/1000/i/da58f993b6ff5484f855484c43d21bd99b3d203cf15eb98a526a32dcb21b5825/Still4.png" /&#62;



&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/1cd6a5195a08a0be46e69f302e64a1696df81eab77f3cf10fced0b903d5fbfdd/still6.png" data-mid="210270974" border="0"  src="https://freight.cargo.site/w/1000/i/1cd6a5195a08a0be46e69f302e64a1696df81eab77f3cf10fced0b903d5fbfdd/still6.png" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/6692ab7abfaf586681a283c163fa953dd7a883ec0f69938311ddba9cd245ed9c/Still1_BeenthereDonethat.png" data-mid="210270986" border="0"  src="https://freight.cargo.site/w/1000/i/6692ab7abfaf586681a283c163fa953dd7a883ec0f69938311ddba9cd245ed9c/Still1_BeenthereDonethat.png" /&#62;

2020｜ 2K ｜17:16min ｜color/sound
︎watch excerpt
"I" believe that he is still there, and “I" hope to see him again. Somewhere on the ruins, heis surely waiting for a soul that still tries to find him. Through a trip to the place where he used tolive, “I” search for those restless ones wandering between the past and the present.
Been There Done That visualizes my fictional trip to the Western Guangdong, where I grew up. Based on scenes taken from our family life, from a perspective of my internal monologue, this film reconstructs a story between me and the father of my grandfather, who has passed away. Going from one place to another, I keep looking for traces left by him. Faced with death and the subsequent dispersion, through this film, I strive to prove that connections between family members will not simply vanish when one of them passes away.&#38;nbsp;
“我”始终相信他还在，“我”还是希望见到他。在那废墟之上，他肯定在等着某个正在寻他的灵魂。一次的故地重游之旅，“我”试图找寻在过去和现时之间游走的、不安的鬼魂。
《此时彼地》虚构了一次“我”回到粤西家乡的故地重游。基于真实的家庭场景，短片通过我的内心独白视角，重新构建了一个我和去世亲人—公祖的家庭故事。在旧址游荡之间，面对死亡的离散， “我”不断找寻公祖的踪迹。

&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/2a003c551cb67bb1b8631eaa137716baafebc4b4d9962fa36e12114ad65829c1/Still3_BeenthereDonethat.png" data-mid="210270981" border="0"  src="https://freight.cargo.site/w/1000/i/2a003c551cb67bb1b8631eaa137716baafebc4b4d9962fa36e12114ad65829c1/Still3_BeenthereDonethat.png" /&#62;</description>
		
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	<item>
		<title>The Idler</title>
				
		<link>https://xiao--zhang.com/The-Idler</link>

		<pubDate>Mon, 26 Jun 2023 00:06:44 +0000</pubDate>

		<dc:creator>张晓｜Xiao Zhang</dc:creator>

		<guid isPermaLink="true">https://xiao--zhang.com/The-Idler</guid>

		<description>The Idler


	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4258b5095f55261805ab93bd6f1196200b9460b7ba24c6626e8cf4eeabc0140c/vlcsnap-2023-06-25-18h21m43s137.png" data-mid="183243546" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/4258b5095f55261805ab93bd6f1196200b9460b7ba24c6626e8cf4eeabc0140c/vlcsnap-2023-06-25-18h21m43s137.png" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6eedbf03ae4aee2e5135c49dae3eb08fb942166e3d52fff0c6ef3924761436e4/vlcsnap-2023-06-25-18h22m04s274.png" data-mid="183243547" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/6eedbf03ae4aee2e5135c49dae3eb08fb942166e3d52fff0c6ef3924761436e4/vlcsnap-2023-06-25-18h22m04s274.png" /&#62;

2019｜ HD ｜04:37min ｜color/sound
︎watch excerpt
Getting off the bus at South Dongdan Road, you can see him standing on that footbridge every day. No one knows why he loiters there. I cross the footbridge every day on my way to Dongdan Playground, which is why we meet.
从东单路口南站下车，他每天总是会站在那座天桥上。没人知道他停留的原因。我每天从天桥到东单操场，那是我们遇见的原因。短片借助结构拼贴的方式，以事物影子作为证据，重现了那天下午 2 点，处于太阳制高点下真实发生的世界。



</description>
		
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	<item>
		<title>Midnight</title>
				
		<link>https://xiao--zhang.com/Midnight-1</link>

		<pubDate>Sat, 04 May 2024 18:31:20 +0000</pubDate>

		<dc:creator>张晓｜Xiao Zhang</dc:creator>

		<guid isPermaLink="true">https://xiao--zhang.com/Midnight-1</guid>

		<description>Midnight



	
&#60;img width="787" height="576" width_o="787" height_o="576" data-src="https://freight.cargo.site/t/original/i/3b4cda5e50b9745f9eab911e5e21083b14756523fd40b9e2217c730a095a353b/vlcsnap-2023-06-25-17h57m28s442.png" data-mid="210269683" border="0"  src="https://freight.cargo.site/w/787/i/3b4cda5e50b9745f9eab911e5e21083b14756523fd40b9e2217c730a095a353b/vlcsnap-2023-06-25-17h57m28s442.png" /&#62;
&#60;img width="787" height="576" width_o="787" height_o="576" data-src="https://freight.cargo.site/t/original/i/9e5f844512c5784a99a852b281f7a52815eafaf3cda58ec097cab89eb470a5f4/vlcsnap-2023-06-25-17h58m59s757.png" data-mid="210269685" border="0"  src="https://freight.cargo.site/w/787/i/9e5f844512c5784a99a852b281f7a52815eafaf3cda58ec097cab89eb470a5f4/vlcsnap-2023-06-25-17h58m59s757.png" /&#62;



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&#60;img width="787" height="576" width_o="787" height_o="576" data-src="https://freight.cargo.site/t/original/i/57f3c37f19bcc74fd132bcd9a16bbaccd7654023d3f6dc3d168df6ac11db3384/vlcsnap-2023-06-25-18h08m15s740.png" data-mid="210269688" border="0"  src="https://freight.cargo.site/w/787/i/57f3c37f19bcc74fd132bcd9a16bbaccd7654023d3f6dc3d168df6ac11db3384/vlcsnap-2023-06-25-18h08m15s740.png" /&#62;

2018｜Hi8 to Digital ｜13:23min ｜color/silent
︎watch excerpt
Midnight is more likely to glide by; unnoticed and unseen. It has a visual quality of coarseness and blurriness. After being compressed repeatedly, once again the dark sky edges close to another bright morning.

午夜更容易悄然滑过；无人注意，无人察觉。它与粗糙、失焦相匹配。在被不断快速压缩之后，漆黑的天又不断地逼近明亮的清晨。


</description>
		
	</item>
		
		
	<item>
		<title>Merry-Go-Round</title>
				
		<link>https://xiao--zhang.com/Merry-Go-Round</link>

		<pubDate>Sun, 25 Jun 2023 23:39:24 +0000</pubDate>

		<dc:creator>张晓｜Xiao Zhang</dc:creator>

		<guid isPermaLink="true">https://xiao--zhang.com/Merry-Go-Round</guid>

		<description>
	
	
Merry-Go-Round


&#60;img width="3456" height="1944" width_o="3456" height_o="1944" data-src="https://freight.cargo.site/t/original/i/701c3ecb484838176462f701f3bbaa2b29a0e9d899e8cb939396335d6396f05e/Screen-Shot-2023-06-25-at-4.45.40-PM.jpg" data-mid="183239657" border="0"  src="https://freight.cargo.site/w/1000/i/701c3ecb484838176462f701f3bbaa2b29a0e9d899e8cb939396335d6396f05e/Screen-Shot-2023-06-25-at-4.45.40-PM.jpg" /&#62;
&#60;img width="3456" height="1944" width_o="3456" height_o="1944" data-src="https://freight.cargo.site/t/original/i/38a01750da8a38069107f201306745294c8a6e2bc65cca1b3cded65e36f80530/2.jpg" data-mid="183239658" border="0"  src="https://freight.cargo.site/w/1000/i/38a01750da8a38069107f201306745294c8a6e2bc65cca1b3cded65e36f80530/2.jpg" /&#62;&#60;img width="3456" height="1944" width_o="3456" height_o="1944" data-src="https://freight.cargo.site/t/original/i/977b2664af8ba124a9b104420c23bf34236930b63912349cc4887bc92560bf35/Screen-Shot-2023-06-25-at-4.46.32-PM.jpg" data-mid="183239656" border="0"  src="https://freight.cargo.site/w/1000/i/977b2664af8ba124a9b104420c23bf34236930b63912349cc4887bc92560bf35/Screen-Shot-2023-06-25-at-4.46.32-PM.jpg" /&#62;&#60;img width="3398" height="1911" width_o="3398" height_o="1911" data-src="https://freight.cargo.site/t/original/i/f40bb1273dd32f9bf2634cba09177d26742e85add9ec26569479a9be1088210a/1.jpg" data-mid="183239659" border="0"  src="https://freight.cargo.site/w/1000/i/f40bb1273dd32f9bf2634cba09177d26742e85add9ec26569479a9be1088210a/1.jpg" /&#62;

2018｜4K ｜7 min ｜color/sound
	︎ watch excerpt
“Who is watching? Whose life is screened? Who is examining whom?”&#38;nbsp;

到底是谁在看谁的一生，又是谁在审视谁?
</description>
		
	</item>
		
		
	<item>
		<title>moving image, image moving</title>
				
		<link>https://xiao--zhang.com/moving-image-image-moving</link>

		<pubDate>Sun, 15 Dec 2024 20:32:43 +0000</pubDate>

		<dc:creator>张晓｜Xiao Zhang</dc:creator>

		<guid isPermaLink="true">https://xiao--zhang.com/moving-image-image-moving</guid>

		<description>Moving Image; Image Moving



&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/d51a360d60a6e8e2a7df0c22dbc40e13b57be2f6e9f236c345cf36c0d1860a69/IMG_0587.jpeg" data-mid="223389636" border="0"  src="https://freight.cargo.site/w/1000/i/d51a360d60a6e8e2a7df0c22dbc40e13b57be2f6e9f236c345cf36c0d1860a69/IMG_0587.jpeg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/839d88555126080d0640d6add77f442b953f687640004188c9beeb79e629eaa3/IMG_0583-2.jpeg" data-mid="223389634" border="0"  src="https://freight.cargo.site/w/1000/i/839d88555126080d0640d6add77f442b953f687640004188c9beeb79e629eaa3/IMG_0583-2.jpeg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/8166b65630434d8dc5bfb439a3f03c11ed808449e7f78ffd7af13cca94bf481a/IMG_0584-2.jpg" data-mid="223389856" border="0"  src="https://freight.cargo.site/w/1000/i/8166b65630434d8dc5bfb439a3f03c11ed808449e7f78ffd7af13cca94bf481a/IMG_0584-2.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/876da0170d175e95a78df35a9291b20fab61a5e0d40f5a598fdbe5ad2af94595/IMG_0591.jpeg" data-mid="223389635" border="0"  src="https://freight.cargo.site/w/1000/i/876da0170d175e95a78df35a9291b20fab61a5e0d40f5a598fdbe5ad2af94595/IMG_0591.jpeg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/9a5de1ca23840803497b57f850017d54997699cdc6773c59ed5d03a9c5674534/IMG_0577.jpg" data-mid="223389849" border="0"  src="https://freight.cargo.site/w/1000/i/9a5de1ca23840803497b57f850017d54997699cdc6773c59ed5d03a9c5674534/IMG_0577.jpg" /&#62;
︎documentation videobricks; wooden frame; 16mm film projector; overhead projector; linear motor;&#38;nbsp;
Instead of creating moving images, I am interested in making images move. In this ongoing experiment, I continue to explore the immaterial energies of analog projectors, such as the wind and the heat exhaled from their mechanisms.
The project was developed during the residency at AUTOMATA. 
Open studio show was presented incollarabtion with Chris Olsen’s Brick vs Brick work.

︎Ongoing experiment during Reef Residency 2025

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/20722b93e995e5b2c80145da45e141560785b69618170be8f3616baaebd3facd/IMG_4283.JPG" data-mid="235840960" border="0"  src="https://freight.cargo.site/w/1000/i/20722b93e995e5b2c80145da45e141560785b69618170be8f3616baaebd3facd/IMG_4283.JPG" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c5a1703f83e273e9c6dd86224a107349db31cc7f03390281036522987fe9dcdc/IMG_4270.JPG" data-mid="235840958" border="0"  src="https://freight.cargo.site/w/1000/i/c5a1703f83e273e9c6dd86224a107349db31cc7f03390281036522987fe9dcdc/IMG_4270.JPG" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/020c0a443d5fc6eacb33b887c59bdf8b0f353899b2646b726a9c3d9711405d62/IMG_4294.JPG" data-mid="235840961" border="0"  src="https://freight.cargo.site/w/1000/i/020c0a443d5fc6eacb33b887c59bdf8b0f353899b2646b726a9c3d9711405d62/IMG_4294.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/3bd6db1f80b0ee61361394c45176b8579340cf852e8e433bacee86804877f88f/IMG_4276.JPG" data-mid="235840959" border="0"  src="https://freight.cargo.site/w/1000/i/3bd6db1f80b0ee61361394c45176b8579340cf852e8e433bacee86804877f88f/IMG_4276.JPG" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/dd78bf0829da9145916987214cd82ba66b1e5ea76688ce3cba532a1704ba7a15/IMG_4296-3.JPG" data-mid="235840962" border="0"  src="https://freight.cargo.site/w/1000/i/dd78bf0829da9145916987214cd82ba66b1e5ea76688ce3cba532a1704ba7a15/IMG_4296-3.JPG" /&#62;

Sometimes energized, sometimes enervated; to project, to move, to carry energy through motion.&#38;nbsp;
A rehearsal for a film on paper in a space.&#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>Mur Mur</title>
				
		<link>https://xiao--zhang.com/Mur-Mur</link>

		<pubDate>Tue, 18 Jun 2024 23:11:47 +0000</pubDate>

		<dc:creator>张晓｜Xiao Zhang</dc:creator>

		<guid isPermaLink="true">https://xiao--zhang.com/Mur-Mur</guid>

		<description>Mur Mur




&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c3cb50afab5a4746a3681fc2cc56c46008d65439774656909f7d3a3efc9ee276/IMG_6911.jpg" data-mid="213153933" border="0"  src="https://freight.cargo.site/w/1000/i/c3cb50afab5a4746a3681fc2cc56c46008d65439774656909f7d3a3efc9ee276/IMG_6911.jpg" /&#62;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5585dc5760855f2833a4778e7c4ff85c2ccc2e9f97fff0a4ee9e29edfb19e8f4/IMG_6901.jpg" data-mid="213154123" border="0"  src="https://freight.cargo.site/w/1000/i/5585dc5760855f2833a4778e7c4ff85c2ccc2e9f97fff0a4ee9e29edfb19e8f4/IMG_6901.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/ae51dc327ba4b9f8879b2f84dc12e06c3ce9b7831e0484956a1876b0a4ac151b/IMG_6917.jpg" data-mid="213153937" border="0"  src="https://freight.cargo.site/w/1000/i/ae51dc327ba4b9f8879b2f84dc12e06c3ce9b7831e0484956a1876b0a4ac151b/IMG_6917.jpg" /&#62;

︎documentation videoContact Mic, Rocks, HD Projector, Computer.
Mur Mur&#38;nbsp;is a multimedia interactive piece where landscape images are manipulated by sound data input. The work explores&#38;nbsp; visual forms of voices from nature.&#38;nbsp;




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